Wishing upon a Starr

How many actresses would like to portray MAE WEST? When director Louis Lopardi placed the official casting call for the play "Courting Mae West" in Actors' Access, within 48 hours 690 responses had flooded his mailbox.
• • Since "Courting Mae West" — — a serious-minded comedy based on true events during the Prohibition Era — — has a cast of seven, not every resume was intended for the "diamonds is my career" gal. Another actress will portray Beverly West and Texas Guinan, for instance.
• • But the largest number of replies, according to Mr. Lopardi, was for the role of Starr Faithfull [called Sara Starr in the play]. He received 270 headshots and cvs from actresses eager to play the fatal flapper. Starr's role calls for a very thin, stylish woman in her mid-twenties. As written, Sara Starr is a complex creature with a generous store of nervous discontent, harsh in her judgments of others, and quick to see individuals as defective because they are not enough like her. When John O'Hara wrote about the beautiful party girl, who met death at age 25, he renamed her Gloria Wandrous and made her the centerpiece of Butterfield 8.
• • As Mr. Lopardi heads for his first round of auditions on Friday and Saturday [April 25th — 26th, 2008] at The Producers Club in Manhattan, what will he look for in the next Mae West? "Her vitality was legendary," said the director. "And Mae West had industrial strength charisma."
• • What helps a stage director select the right individual? The first step is "typing-out by headshots plus experience," he explained, "and then short screening auditions."
• • What are some red flags? Showing up totally costumed for the role is a warning sign Mr. Lopardi is aware of. "An actress can suggest Mae West by wearing a boa — — but if she shows up decked out like Diamond Lil, I would be leery."
• • The casting and the elimination rounds begin today. Later there will be callbacks. Check this blog again to see who will play Mae in "Courting Mae West" in mid-July at the Algonquin Theatre in New York City.
• • No cameras were rolling in an Astor Place audition room in Manhattan (back in June 2005) when a New York City director was then conducting a talent search for MAE WEST for a short excerpt of "Courting Mae West” timed for The Annual Mae West Gala on 17 August 2005. But the dare-to-bare urge was in the air.
• • The playwright, the casting crew, and the director's personal assistant were astonished to see how many aspiring actresses interpreted the director's suggestion to "have fun with Mae's bawdy dialogue and be bold” as a green light to go blue.
• • Actor Richard Kent-Green, while playing a waiter in the opening scene, found himself adrift in fishnet hosiery and female garments as an Australian actress tossed her black apparel around. Ever the improv expert, Kent-Green anchored these cast-aways on a folding chair and stayed in character.
• • Is Janet Jacksons wardrobe malfunction becoming a trend? Richard Kent-Green admitted to a roving reporter that he had seen, in one night, more curves than a coastal highway.
• • Comedienne Louise ["Mary Hartman, Mary Hartman”] Lasser said it is unfortunate when an actress puts her faith in the casting couch instead of her talent. Being bold during an audition, observed Miss Lasser, used to mean you showed some sass. Mae West may have had the two biggest props in Hollywood but she is remembered because her wit titillated. [That talent search took place in the summer of 2005. Marta Reiman was cast in the leading role and Taylor Treadwell took the role of Sara Starr.]
• • "Courting Mae West: Sex, Censorship, and Secrets" — — based on true events when Mae West was tried at the Jefferson Market Police Court on Sixth Avenue — — will be onstage at the Algonquin Theatre [123 East 24th Street, New York, NY 10010] July 19th — 22nd, 2008.
• • Get ready to come up and see Mae West and Starr Faithfull onstage in mid-July 2008.
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Source:http://starrfaithfull.blogspot.com/
See also: http://jeffersonmarketcourthouseny.blogspot.com/

Jefferson Market
• • Photo: Mae West • • 1927
• • Photo: Starr Faithfull • • circa 1920
NYC
Starr Faithfull
Starr Faithfull.

Starr Faithfull Takes the Stage

The past is another country — — and MAE WEST was most comfortable there.
• • However, in her Broadway blockbuster "Diamond Lil" [1928] Mae's aim was not to resurrect the naughty nineties — — but to present that bygone decade's sins in shifty soft focus. The world of Diamond Lil, restrained by Victorian morality despite a certain cheeky daring, was a backwards glance to a time of innocence, picturesque entertainment, well-behaved wildness, corset-clad temptresses, The Police Gazette's seductions, and 5-cent beer.
• • Drama critic Stark Young [1881—1963] analyzed Mae's clever maneuvers in his article for The New Republic:
• • "Diamond Lil" is as daring in the end [as 1926's "Sex"], the same sexy morsels, embraces, interventions of the law with rank suspenses, frank speeches, underworld, and so on. But it is more covered, continuous, and studied than the other production, and the crowd of characters, the costuming and vaudevillistic intervals, pull the whole of this later play into a more familiar style, less crudely, and sheerly singular than "Sex" appeared to be [excerpt from The New Republic — 27 June 1928].
• • Louis Lopardi, who will direct "Courting Mae West: Sex, Censorship and Secrets" in July at the Algonquin Theatre, also feels enriched by the past. His own production — — The Purgatory Project, Part 2 — — reimagined the lives led by four famous historical figures: Sigmund Freud, Peter Ilich Tchaikovsky, J. Robert Oppenheimer, and Lee Harvey Oswald.
• • A history buff as well as a thespian, Lopardi especially enjoys plays with a classical echo, texts rooted to a mythic past. For instance, he found "Metamorphoses," a play based on the Greek poem Metamorphoses by Ovid, fascinating and he relished the modernized adaptation written by Mary Zimmerman a few years ago. Ovid works onstage because those depictions of yearning and confused desires are timeless, feels Lopardi.
• • Since he has frequently decanted Ovid's ancient songs, he noticed right away the mythic skin underneath "Courting Mae West" — — the Brooklyn bombshell's story reimagined as the metamorphosis of King Midas. How you get the golden touch is one of the subtle sub-plots here. As Mae's career goals recalibrate her box office appeal, she will earn her hard cold slice of success — — but at a cost.
• • "I like a multi-layered comedy," admits Lopardi. "The best shows make you laugh for an hour and a half — — and then, untethered from your Playbill, you mull it over at home."
• • Bringing "Courting Mae West" to an audience requires funding. To support A Company Of Players, a non-profit theatre group established in 1979 to present meaningful theatre, please click on this link — — http://www.companyofplayers.com/support.htm
• • A Company Of Players is recognized by the IRS as a 501(c)3 type organization, and donations to the group are considered a charitable, tax-deductible contribution.
• • Contribute through "Pay Pal" or you can mail a check to: A Company Of Players, 545 Eighth Avenue, #401, New York NY 10018-4307.
• • "Courting Mae West: Sex, Censorship, and Secrets" — — based on true events and featuring people from the Roaring 20s such as Starr Faithfull and Texas Guinan — — will be onstage at the Algonquin Theatre [123 East 24th Street, New York, NY 10010] from July 19th — July 22nd, 2008.
• • Get ready to come up and see Mae West and Starr Faithfull onstage in mid-July 2008.
___ ___
Source:http://starrfaithfull.blogspot.com/
See also: http://jeffersonmarketcourthouseny.blogspot.com/

Jefferson Market
• • Photo: Mae West • • 9 February 1927
NYC
Starr Faithfull
Starr Faithfull.